What does Avatar have to say about race? That’s what the blogosphere is asking this week.

Annalee Newitz got things going this weekend with an essay on io9.com, Gawker’s sci-fi blog, about how the film is essentially “a fantasy about race told from the point of view of white people.” (Read responses here, here, here, and here.)

The racial themes in Avatar are pretty hard to ignore. We’ve really got it all here: colonialism, passing, “going native,” (literal!) jungle fever. And director James Cameron isn’t exactly subtle about linking the alien Na’vi with minorities here at home. It’s no accident that all the Earthlings are played by white actors (except for Dileep Rao and Michelle Rodriguez, both of whose characters are, naturally, on the good side) while all the Na’vi, under their CGI suits, are played by actors of color. The Na’vi facial features were inspired by “really beautiful ethnic women,” according to one of the creature designers, and Cameron admitted to MTV that they’re blue, in part, because of the cultural importance of skin color in our world.

If the racial subtext offended me, it wasn’t because the film is racist—I don’t think it really is—but because that subtext was so dumb. Flat-footed. Cheap. I just felt icky and bored after all that chanting and all those feathered headdresses and the head-clubbing way you’re forced to understand that these oppressed primitives are soo pure and soo beautiful. Look at how elegantly they crouch! Just in case you don’t get what we’re dealing with here, we’re going to have the bad white guy say “savages” about a hundred thousand times.

More than anything, I’m disappointed as a sci-fi fan. Stories about outer-space aliens are often about the ways we relate to the “aliens” in our Earthly midst. (See the apartheid-themed District 9, for example.) But Cameron, with his much-ballyhooed technological innovations, had the chance to make viewers understand what it would be like—what it would feel like—to encounter an actual, honest-to-Eywa alien. And he doesn’t exploit it.

We do get a brief glimpse. In my opinion, the best ten seconds in the whole film come somewhere in hour three. (Mild spoilers ahead.) During the climactic battle scene, one of the Na’vi jumps on a human airship and begins hurling his enemies over the edge. It’s one of the few times you actually see a Na’vi next to a human, and it’s jolting. Holy crap, you think. Those aliens are HUGE! Next to those tiny humans, the Na’vi looks like some kind of rampaging deity—reminding me, at least, of another big blue avatar. The brief scene near the end where Neytiri, the Na’vi female, cradles a badly wounded Jake, in his human form, is equally uncanny.

Those few moments felt so fresh and strange to me, they got me thinking: If and when we do meet aliens, it’s pretty silly to imagine we’ll see them as just another race of human(oid)s. They’re going to be totally crazy! They’re going to blow our minds! Why bother making a flat, stale retread of Earthly stereotypes when you could have explored what that encounter would be like?

Planning on seeing Avatar this holiday weekend? Seen it already? Share your thoughts below.

Still from Avatar. © 2009 Fox and its related entities. All rights reserved.

Tags: aliens, avatar, James Cameron, Race, racism, sci-fi

So Christmas is just about over, meaning it's time to dangle the next shiny consumerist holiday before our bloated, jolly faces. The creative powers that be have put together an ensemble rom com for us, titled Valentine's Day, and set to come out on Valentine's Day (for the easily confused). From what I can divine from the recently released trailer, the movie features lovelorn singles and unhappily united marrieds, all of whom will either find or refute love over the span of one very important holiday. Does this smell like last year's box of chocolates? Or maybe, uh, 2003's gooey leftovers? Love Actually anyone?

Watch the trailer. You've seen this movie before:

A seven-year-old so love sick he can't eat.
A person way too good looking to be the undesirable single. (Valentine's Day wants us to believe that Jessica Alba is having a hard time finding a date.)
A long-term couple facing some difficult issues in their marriage.
A woman who fucks herself over in finding love, because she just works too damn hard.
A collection of seemingly unrelated plot lines that will prove to be intricately connected by film's end.

And it wasn't that good the first time.

Despite being a showcase for Colin Firth's limitless charm, Love Actually had some pretty craptastic conclusions:  the married woman (Emma Thompson) repeatedly described as "brilliant"  ends up alone, exoticism trumps communication (Firth and his Portuguese love interest can hardly speak a word to each other before they agree to marry), a not-even-chubby woman gets mercilessly teased about her weight, and Laura Linney's character ends up alone because she just doesn't prioritize love.

With jokes like, "I'm checking in for two... I mean, one and a dog." [SADFACE], Valentine's Day doesn't look like it will be any better.

Tags: Love Actually, romantic comedies, Valentine's Day